The market for computer-created artwork is growing

LONDON — Is digital art the next big thing in the contemporary art world?

At the moment, the market for art that’s created and displayed on a screen — as distinct from paintings, prints and photos that are generated digitally and then printed — is small. Phillips’s inaugural “Paddles ON!” sale of 20 digital and digitally-related works in New York last October, held in association with the image-posting site Tumblr, was the first such event to be held at an international auction house. It raised just $90,600 — enough to buy a few square inches of a Christopher Wool painting. The top price of $16,000 went for “Asymmetric Love Number 2,” a chandelier made out of CCTV cameras, by the American “anti-disciplinarian” artist Addie Wagenknecht. Continue reading The market for computer-created artwork is growing

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The first online-only art biennale is live

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Glitch art at the New Digital Art Biennale

Glitch Twitter

The Wrong – New Digital Art Biennale is officially open to visitors. The amount of digital art work arrayed across its 30 or so online pavillions is gobsmacking, and I heartily encourage you to go lose an afternoon in there. The Wrong obsensibly has no theme, instead devolving curatorial responsibility to each of the talents in charge of the pavillions. But its name, coupled with its official partnership with the Glitche app (which allows iPhone users to glitch their own images), makes me wonder what sort of glitch art will be exhibited.

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Our shared condition — consciousness

Philosopher John Searle lays out the case for studying human consciousness — and systematically shoots down some of the common objections to taking it seriously. As we learn more about the brain processes that cause awareness, accepting that consciousness is a biological phenomenon is an important first step. And no, he says, consciousness is not a massive computer simulation. (Filmed at TEDxCERN.)

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The Cosmos, Oneness and Judaism

by Roger Price

The Eagle Nebula in Constellation Serpens
Credit: NASA/ESA/STSci/J. Hester and P. Scowen (ASU)

The psalmist and the skeptic and the prophet and the professor look at the universe in which we find ourselves, see the same stars, feel the warmth of the same sun, hear thunder pealing from the same sky, understand the processes by which nature unfolds in spring, retreats in fall only to regenerate again the following year, and yet often draw different conclusions from the same observable data. So, for instance, in response to the emergence of humankind, a non-theist might merely record the evolutionary data or might marvel at the improbability, the mystery, and the grandeur of our existence. The traditional Jewish believer, by contrast, might offer a prayer to the Supreme Being: Blessed are You, sovereign of the universe, who has fashioned us from the dust of the Earth in Your image and breathed our soul into us. Continue reading The Cosmos, Oneness and Judaism

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The Big Idea (from “Tomorrow’s God” by Neale Donald Walsch)

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Yet now you must choose between little love and big love, between little life and big life, between little God and big God, between little freedom and big freedom, between little joy and big joy, between little wisdom and big wisdom, between little world and big world.

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Krishnamurti: The Core of the Teachings

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Written by Krishnamurti in 1980 at the request of his biographer Mary Lutyens.

The core of Krishnamurti’s teaching is contained in the statement he made in 1929 when he said, “Truth is a pathless land”. Man cannot come to it through any organization, through any creed, through any dogma, priest or ritual, not through any philosophical knowledge or psychological technique. He has to find it through the mirror of relationship, through the understanding of the contents of his own mind, through observation and not through intellectual analysis or introspective dissection. Continue reading Krishnamurti: The Core of the Teachings

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